![]() The film has received a few outside-the-theater protests, which is hysterical as A) that’s excellent marketing and B) what year is this again? Benedetta earned $46,000 on Friday for a $125,000 weekend gross on 202 screens. No spoilers, but Verhoeven leaves little on the table with this angry and pointed screed, to the point where he almost seems to be satirizing himself (think John Woo’s Mission: Impossible 2). The 83-year-old icon returned to cinemas (and VOD, natch) with this 17th century tale of a young nun engaging in an obviously forbidden affair with another member of her convent. Paul Verhoeven’s well-reviewed Benedetta didn’t fare much better. Anyway, the religious musical special is a fine example that, yes, folks will show up if you give them something for which to show up.įocus Features’ Wolf, an indie drama about a young man who thinks he’s a wolf, debuted in 308 theaters with zero buzz, thus explaining its $37,000 Friday gross and likely $110,000 weekend total. Big-screen cinema doesn’t so-much act as a kingmaker and chase the successes of existing properties in other mediums. Now, exceptions like Demon Slayer and Downton Abbey notwithstanding, it feels like the opposite is true. Review: 'Demon Slayer: Mugen Train' might be the highest-grossing Japanese film of all time, but franchise newcomers wont get the big fuss. It’s also a refreshingly old-school example of when making a movie version of an existing property, be it an in-universe continuation ( The X-Files: Fight the Future) or a big-screen adaptation ( Teenage Mutant Ninja Turtles) meant that the given property was officially a big deal. The film, showing the birth of Jesus from the point-of-view of Joseph and Mary, is the kind of thing for which Fathom exists. That’s the biggest-selling event in Fathom Events history. 'Demon Slayer the Movie: Mugen Train' Funimation
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